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Purple flowered deadly nightshade, Atropa belladonna
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Purple flowered deadly nightshade, Atropa belladonna
5856665 Purple flowered deadly nightshade, Atropa belladonna by Sowerby, James (1757-1822); (add.info.: Purple flowered deadly nightshade, Atropa belladonna. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's "Medical Botany" 1832. The tireless Sowerby (1757-1822) drew over 2, 500 plants for Smith's mammoth "English Botany" (1790-1814) and 440 mushrooms for "Coloured Figures of English Fungi " (1797) among many other works.); © Florilegius
Media ID 28385038
© Florilegius / Bridgeman Images
1832 Belladonna Deadly Flowered Handcolored Herbal Hooker Jackson James Medicinal Nightshade Poison Sowerby William Woodville Atropa Botanical Plate Britisch Britisch Copperplate Natural Sciences Without Anyone Without People
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This print showcases the beauty and danger of the Purple flowered deadly nightshade, Atropa belladonna. The handcolored copperplate engraving, created by James Sowerby in the 19th century, is a stunning example of botanical illustration. At first glance, one cannot help but be drawn to the vibrant purple flowers that adorn this poisonous plant. The delicate petals seem to dance against a backdrop of lush green leaves, creating a striking contrast. However, upon closer inspection, one realizes the true nature of this enchanting flower. Known for its toxic properties, Atropa belladonna has long been used in herbal medicine despite its dangers. This antique print serves as a reminder of humanity's fascination with medicinal plants throughout history. James Sowerby's meticulous attention to detail is evident in every stroke of his pen. His expertise shines through as he captures not only the physical characteristics but also the essence and spirit of this deadly nightshade. Displayed against a neutral background, this botanical plate becomes an exquisite piece of art that transcends time and place. It transports us back to early 19th-century England when natural sciences were flourishing and exploration was at its peak. Whether admired for its aesthetic appeal or appreciated for its historical significance, this print offers viewers an opportunity to appreciate both the beauty and complexity found within our natural world.
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