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Beautiful day or tricolor bindweed - Small bindweed, Convolvulus tricolor. Handcolured copperplate engraving and botanical illustration by James Sowerby from William Curtis The Botanical Magazine, Lambeth Marsh, London, 1787
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Beautiful day or tricolor bindweed - Small bindweed, Convolvulus tricolor. Handcolured copperplate engraving and botanical illustration by James Sowerby from William Curtis The Botanical Magazine, Lambeth Marsh, London, 1787
FLO4581362 Beautiful day or tricolor bindweed - Small bindweed, Convolvulus tricolor. Handcolured copperplate engraving and botanical illustration by James Sowerby from William Curtis The Botanical Magazine, Lambeth Marsh, London, 1787. by Sowerby, James (1757-1822); (add.info.: Beautiful day or tricolor bindweed - Small bindweed, Convolvulus tricolor. Handcolured copperplate engraving and botanical illustration by James Sowerby from William Curtis The Botanical Magazine, Lambeth Marsh, London, 1787.); © Florilegius
Media ID 28383522
© Florilegius / Bridgeman Images
Botanical Magazine Horticulture James Sowerby William Curtis Botanical Board Botanical Illustration Britisch Britisch Copperplate Engraving Florilegius Handcoloured Without Anyone Without People
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EDITORS COMMENTS
This print showcases the delicate beauty of a tricolor bindweed, also known as small bindweed or Convolvulus tricolor. Created in 1787 by James Sowerby for William Curtis' The Botanical Magazine, this handcolored copperplate engraving is a true masterpiece of botanical illustration. The image transports us back to Lambeth Marsh in London during the late 18th century, where Sowerby meticulously captured the intricate details and vibrant colors of this enchanting flower. The bindweed's petals display a stunning combination of white, pink, and blue hues, creating a visual feast for the eyes. As we admire this artwork, we are reminded of the importance of knowledge and exploration in horticulture and botany. This piece represents not only an exquisite depiction of nature but also serves as a testament to human curiosity and dedication to understanding our natural world. The historical significance of this print cannot be overlooked either. It offers us glimpses into both English and European botanical traditions during the 18th and 19th centuries. Its presence in Germany further highlights its widespread influence across different regions. In conclusion, this print captures the essence of beauty found within nature's smallest creations while celebrating centuries-old craftsmanship. It is truly an extraordinary piece that continues to inspire awe and appreciation for botanical artistry even today.
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