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The Triumph of Quassia, published by Hannah Humphrey in 1806 (hand-coloured etching)
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The Triumph of Quassia, published by Hannah Humphrey in 1806 (hand-coloured etching)
NCO193108 The Triumph of Quassia, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: carried by Samuel Whitbread (1758-1815); Prime Minister Lord Grenville (1749-1834); ); English, out of copyright
Media ID 22602012
© Bridgeman Images
1749 1806 Apron Bacchanal Barrel Beams Beer Brandishing Carried Charles James Fox Coins Drunk Drunkard Froth Funds Gleaming Hanoverian Hops Jubilant Litter Loincloth Overflowing Overweight Political Satire Pyre Queue Rays Rejoicing Rotund Spilling Tankard Tricolour Tricorn Triumphant Whig Beaming Saddle Bag
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The Triumph of Quassia
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is a captivating hand-coloured etching published by Hannah Humphrey in 1806, created by the renowned artist James Gillray. This satirical political cartoon showcases a scene filled with jubilant and rejoicing figures, representing various prominent statesmen of the time. At the center of the composition, we see Samuel Whitbread, an influential figure known for his involvement in politics and brewing industry. He is carried triumphantly on a litter by Lord Grenville, who served as Prime Minister during that period. The overflowing barrel held by Whitbread symbolizes his success and wealth derived from his brewery business. The caricature captures the essence of Georgian-era political satire with its exaggerated portrayal of rotund figures and comical elements. Charles James Fox can be seen riding a donkey while brandishing a tankard, highlighting his reputation as a notorious drinker. The scene is filled with symbolism; coins spilling out from barrels represent funds or corruption within politics. The tricolour loincloth worn by one character alludes to French influence on British affairs during this era. Gillray's meticulous attention to detail brings life to each character's expression and body language. From Lord Henry Petty's beaming face to the gleaming rays surrounding him, every element contributes to creating an atmosphere of celebration and revelry. This print offers viewers not only entertainment but also insight into the political climate of early 19th-century Britain through clever visual storytelling and biting satire.
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