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Pacific-Overtures, or A Flight from St. Clouds over the water to Charley
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Pacific-Overtures, or A Flight from St. Clouds over the water to Charley
NCO190177 Pacific-Overtures, or A Flight from St. Clouds over the water to Charley - a new Dramatic Peace now Rehearsing, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Napoleon Bonaparte (1769-1821) offers terms of peace to George III (1738-1821); William Pitt (1759-1806) on a pedestal; ); English, out of copyright
Media ID 23354986
© Bridgeman Images
Arrogant Audience Bicorn Clapping Cockade Cornucopia Document Eagle English Channel Jeering Little Boney Malmaison Orchestra Prime Minister Royal Box Sash Shouting Standard Treaty Union Jack Swaggering
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EDITORS COMMENTS
This print titled "Pacific-Overtures, or A Flight from St. Clouds over the water to Charley" takes us back to a significant moment in history. Created by James Gillray in 1806, this hand-coloured etching offers a satirical portrayal of the political landscape during that time. The image depicts Napoleon Bonaparte extending terms of peace to George III, with William Pitt standing on a pedestal nearby. The scene is set against the backdrop of a grand theater, filled with an enthusiastic audience and an orchestra playing in the pit. Napoleon, known as "Little Boney" can be seen swaggering confidently while offering his proposal. Meanwhile, George III looks on from his royal box, wearing robes and adorned with symbols of power. The atmosphere is charged with tension as jeering and clapping fill the air. The composition cleverly captures the arrogance and audacity of Napoleon's offer while highlighting England's steadfastness represented by George III and Pitt. The presence of naval elements such as ships sailing across the English Channel adds another layer to this historical narrative. This print serves as both a visual delight and an insightful commentary on diplomacy during this era. It reminds us how art can encapsulate complex political dynamics while providing entertainment for its viewers.
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