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Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)

Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)


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Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190196 Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray, James (1757-1815); 25.1x20.1 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: George Hanger (c.1751-1824) 4th Baron Coleraine; ); English, out of copyright

Media ID 23354988

© Bridgeman Images

Bucket Burden Cellar Coal Eccentric English Gentleman Heavy Hooked Nose Impoverished Labouring Load Rags Shovel


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Georgey in the Coal-Hole - A Portrait of Labour and Eccentricity

EDITORS COMMENTS
. This hand-coloured etching, "Georgey in the Coal-Hole" published by Hannah Humphrey in 1801, offers a glimpse into the life of George Hanger, the 4th Baron Coleraine. In this intriguing artwork by James Gillray, we witness an English gentleman engaged in manual labor that contrasts sharply with his privileged background. The image depicts George Hanger lugging a heavy sack of coal on a cart, toiling away in what appears to be a dimly lit cellar. His striped neckerchief and tattered rags emphasize his impoverished state while his hooked nose adds character to his eccentric persona. The artist's attention to detail is evident as he captures every line and wrinkle on Hanger's face, revealing both weariness and determination. Gillray's caricature skillfully portrays the burden carried by those who find themselves at odds with societal expectations. Through this print, we are reminded of the stark contrast between wealth and poverty during this era. It serves as a poignant commentary on social inequality and challenges our assumptions about class boundaries. As we contemplate "Georgey in the Coal-Hole" we are invited to reflect upon themes of hard work, resilience, and personal identity amidst challenging circumstances. This engraving not only showcases Gillray's artistic prowess but also prompts us to question our own perceptions of privilege and adversity. Courtesy of New College Oxford's collection through

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