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Cecil Wray in the Pillory The Rights of the Commons, pub. 1784 (hand coloured engraving)
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Cecil Wray in the Pillory The Rights of the Commons, pub. 1784 (hand coloured engraving)
2962503 Cecil Wray in the Pillory The Rights of the Commons, pub. 1784 (hand coloured engraving) by English School, (19th century); Private Collection; (add.info.: Charles James Fox (1746-1806); Sir Cecil Wray (1734 - 1805); Samuel House (d 1785); John Jackson; ); The Stapleton Collection; English, out of copyright
Media ID 23135362
© The Stapleton Collection / Bridgeman Images
Brooms Covent Garden Hustings Piazza Political Satire Protest Shovels Stocks Taxes Mops
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EDITORS COMMENTS
The captivating print titled "Cecil Wray in the Pillory The Rights of the Commons" takes us back to the political landscape of 18th-century England. This hand-coloured engraving, created by an anonymous English artist from the 19th century, showcases a momentous event in British history. In this satirical illustration, we witness Sir Cecil Wray, a prominent politician of his time, enduring public humiliation as he stands confined within a pillory. Surrounding him are various symbols and objects that represent the political climate and social issues of that era. Election slogans adorn banners waving above the heads of onlookers who have gathered at Covent Garden's bustling piazza. Shovels symbolize heavy taxes burdening commoners while hats signify different factions or parties vying for power. Political satire is evident through caricatures and cartoons depicting rival politicians such as Charles James Fox. Amidst this chaotic scene, mops and brooms allude to protests against unfair policies while keys hint at unlocking solutions to societal problems. The stocks serve as another form of punishment for those deemed unworthy by their peers. This intriguing artwork not only captures a historical moment but also reflects the struggles faced by ordinary citizens during times of political unrest. It reminds us that even centuries ago, people were engaged in passionate debates about their rights and freedoms. Displayed proudly in private collections today, this engraving continues to be admired for its artistic merit and its ability to transport viewers back into an important
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