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Buonaparte leaving Egypt, published by Hannah Humphrey in 1800 (hand-coloured etching)
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Buonaparte leaving Egypt, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO191263 Buonaparte leaving Egypt, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: returning to France to proclaim himself emperor; vision of crown, sceptre and fasces; ); English, out of copyright
Media ID 23354846
© Bridgeman Images
1769 1821 Calculating Colleagues Commander Companions Cowardice Deception Departing Departure Deserter Embarking Fleeing French General Gangplank Gesturing Herald Hubris Messenger Napoleon Bonaparte Pointing Political Satire Sneaking Trumpet Divine Inspiration Duplicity
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EDITORS COMMENTS
The hand-coloured etching titled "Buonaparte leaving Egypt" captures a pivotal moment in history, published by Hannah Humphrey in 1800. This political satire by James Gillray depicts French General Napoleon Bonaparte sneaking away from Egypt to return to France and proclaim himself emperor. The image portrays the vision of a crown, sceptre, and fasces, symbolizing his desire for power. In this satirical cartoon, we witness the calculated deception of Bonaparte as he abandons his comrades and deserts his army. A messenger angel appears above him, perhaps representing divine inspiration or highlighting his hubris. Meanwhile, his companions point accusingly at him while an herald gestures towards the departing boat. This artwork serves as anti-Napoleonic propaganda, emphasizing cowardice and duplicity within the military ranks. It alludes to the failure of Bonaparte's Egyptian campaign and suggests that he is stealing treasure before fleeing. Gillray's caricature skillfully captures the essence of this historical event with sharp wit and biting commentary. The intricate details in this engraving bring out every facet of the narrative: from Bonaparte's calculating expression to the trumpet signaling his departure. Courtesy of New College Oxford's collection, this print offers us a glimpse into an era marked by political turmoil and ambition. It reminds us that even great leaders can succumb to their own ambitions when faced with temptation or adversity
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