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The First Descent Through the Koojah Pass, from Sketches in Afghaunistan
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The First Descent Through the Koojah Pass, from Sketches in Afghaunistan
STC135162 The First Descent Through the Koojah Pass, from Sketches in Afghaunistan, engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho) by Atkinson, James (1780-1852) (after); Private Collection; The Stapleton Collection; British, out of copyright
Media ID 23367722
© The Stapleton Collection / Bridgeman Images
Afghan War Afghanistan Handcuffed Marching Mountain Range Troop Prisoner Punishment
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The First Descent Through the Koojah Pass - A Glimpse into Afghanistan's Turbulent History
EDITORS COMMENTS
. This print captures a pivotal moment in history, depicting "The First Descent Through the Koojah Pass" during the Afghan War. The image showcases a dramatic landscape of rugged mountains stretching as far as the eye can see, forming an imposing backdrop to this historic event. Intriguingly, at the center of the composition stands a soldier dressed in uniform, his hands handcuffed with wooden restraints. This prisoner symbolizes both defiance and submission, representing the consequences faced by those who dared challenge authority during this tumultuous period. A troop of soldiers marches stoically behind him, their determined expressions reflecting their commitment to duty amidst challenging circumstances. They navigate through treacherous terrain while keeping a watchful eye on their captive. The presence of Beloochees - local tribesmen from Balochistan - adds further complexity to this scene. Their involvement hints at alliances forged and broken throughout this conflict-ridden region. Published in 1842 by Henry Graves and skillfully engraved by Charles Haghe and Louis Haghe, this color lithograph offers viewers a glimpse into James Atkinson's original sketches from his time spent in Afghanistan. It serves as both an artistic testament to Atkinson's talent and an important historical document shedding light on one chapter of Afghanistan's complex past. As we gaze upon this remarkable print from Fine Art Finder's Stapleton Collection, we are reminded
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