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The spring (Detail) - tempera onwood, 1477-1478

The spring (Detail) - tempera onwood, 1477-1478


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The spring (Detail) - tempera onwood, 1477-1478

LRI4570891 The spring (Detail) - tempera onwood, 1477-1478 by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Le printemps" (The spring or La primavera) Detail - Painting by Alessandro di Mariano dei Filipepi dit Sandro Botticelli (1445-1510) 1477-1478 Sun: 203x314 cm Florence, Galerie Des Uffizi (Uffizi)); Luisa Ricciarini; Italian, out of copyright

Media ID 23335406

© Luisa Ricciarini / Bridgeman Images

Cupid Eros Fruit Tree Orange Spring Three Graces Venus Aphrodite Wind Cinquecento Mythological Character


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EDITORS COMMENTS
This print showcases a mesmerizing detail of Sandro Botticelli's renowned masterpiece, "The Spring". Painted with tempera on wood in the years 1477-1478, this artwork is housed in the prestigious Galleria degli Uffizi in Florence, Italy. The photograph perfectly captures the essence of this Renaissance gem. In this particular section of the painting, we are introduced to a world filled with mythological characters and allegorical symbolism. A young girl stands amidst an enchanting landscape adorned with vibrant orange trees that symbolize the arrival of spring. The wind gently caresses her flowing gown as she becomes one with nature. The presence of Venus (Aphrodite) and Cupid (Eros) adds another layer to the narrative. They represent love and desire, reminding us that spring is not only a season for growth but also for blossoming emotions. Furthermore, three graceful figures known as "the Three Graces" grace this scene with their elegance and beauty. These mythological characters embody charm, joy, and creativity - all qualities associated with springtime. Luisa Ricciarini skillfully captured every intricate detail within this print while staying true to Botticelli's original vision. By immersing ourselves in this image, we can transport ourselves back to fifteenth-century Italy and appreciate both its historical significance and artistic brilliance.

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