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Tryptic of the Last Judgement, central panel, c. 1504 (painting on wood)
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Tryptic of the Last Judgement, central panel, c. 1504 (painting on wood)
LRI4651230 Tryptic of the Last Judgement, central panel, c.1504 (painting on wood) by Bosch, Hieronymus (c.1450-1516); 127x163 cm; Gemaldegalerie der Bildenden Kunste, Vienna, Austria; (add.info.: Das Weltgerichts-Triptychon); Luisa Ricciarini
Media ID 25895916
© Luisa Ricciarini / Bridgeman Images
1450 1516 Apocalypse Arson Bosch Hieronymus C Capital Sins Chatiment Cruelty End Of The World Flemish Style Good Against Evil Hell Hieronymus Bosch Last Judgment Late Natural Elements 4 Paradise Benelux Countries Bible Story Biblical Events Biblical Scene Dutch Netherlands Hollander Hollanders Netherland Netherlands Holland Dutch The Netherland
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EDITORS COMMENTS
This print showcases the central panel of Hieronymus Bosch's "Tryptic of the Last Judgement" a masterpiece created around 1504. The painting, executed on wood and measuring 127x163 cm, is housed in the Gemaldegalerie der Bildenden Kunste in Vienna, Austria. Bosch's work delves into profound themes such as the end of the world, violence, hell, and paradise. In this particular panel, he skillfully portrays an apocalyptic scene where good confronts evil during the last judgment. The artist vividly depicts capital sins and religious punishment with his signature style that combines natural elements with cruel imagery. Luisa Ricciarini expertly captures every intricate detail of this late medieval artwork through her lens. Her photograph allows viewers to immerse themselves in Bosch's biblical narrative filled with intense emotions and dramatic events. It serves as a testament to Ricciarini's talent for capturing works of art while preserving their essence. As we gaze upon this photo print, we are transported back in time to witness Bosch's unique interpretation of biblical characters and scenes. This Dutch painter has left an indelible mark on European art history through his thought-provoking compositions. Through Luisa Ricciarini's lens, we can appreciate both Bosch's genius and her own artistic vision as she presents us with a stunning visual representation of this iconic triptych.
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