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Four minor prophets painted on west side of screen dividing the nave from the choir of
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Four minor prophets painted on west side of screen dividing the nave from the choir of
2831282 Four minor prophets painted on west side of screen dividing the nave from the choir of Bristol Cathedral (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright
Media ID 22702974
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Bristol Cathedral Minor Prophet Prophets Zechariah Ecclesiastical Haggai Malachi Zephaniah
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EDITORS COMMENTS
This print showcases the exquisite artwork of Joseph Manning, depicting four minor prophets painted on the west side of a screen that divides the nave from the choir in Bristol Cathedral. The painting, executed with watercolor on paper, is a testament to Manning's talent and attention to detail. The image transports us into the realm of religious symbolism and ecclesiastical grandeur. These biblical figures, known as Zechariah, Haggai, Malachi, and Zephaniah, stand tall and resolute against a backdrop of divine inspiration. Their presence evokes a sense of reverence and awe within the viewer. Each prophet exudes an air of wisdom and devotion through their meticulously rendered features. Their expressions convey deep contemplation as they deliver messages from God to humanity. Through this visual narrative, Manning brings these ancient texts to life once more. Bristol Cathedral serves as an ideal setting for such profound artwork. Its sacred walls have witnessed centuries of worship and spiritual enlightenment. As we gaze upon this masterpiece captured by Bridgeman Images' lens, we are reminded of Christianity's rich heritage and its enduring impact on our lives today. This remarkable piece was generously bequeathed by William Jerdone Braikenridge in 1908 to Bristol Museum and Art Gallery in the United Kingdom where it now resides. It stands as a testament not only to Manning's artistic prowess but also to his ability to capture both faith and history within one frame.
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