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A True Art Lover, from the series of Good Bourgeois caricatures

A True Art Lover, from the series of Good Bourgeois caricatures


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A True Art Lover, from the series of Good Bourgeois caricatures

XJF741257 A True Art Lover, from the series of Good Bourgeois caricatures, published in Le Charivari, May 16, 1847 (litho) by Daumier, Honore (1808-79); Private Collection; (add.info.: Man using his magnifying glass to evaluate the authenticity of a painting; ); French, out of copyright

Media ID 12934197

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Bourgeois Bourgeoisie Magnifying Glass Mockery Mocking Ridicule Ridiculing


EDITORS COMMENTS
In this whimsical lithograph titled "A True Art Lover". Honore Daumier captures the essence of bourgeois society's relationship with art in 19th-century France. Published in Le Charivari on May 16,1847, this caricature pokes fun at the pretentiousness and superficiality often associated with the bourgeoisie. The central figure, a well-dressed man, is seen engrossed in his role as an art connoisseur. Holding a magnifying glass up to a painting, he appears to be meticulously evaluating its authenticity. With exaggerated features and comically serious expression, Daumier emphasizes the absurdity of such scrutiny. Through this satirical artwork, Daumier highlights the bourgeois obsession with status symbols and their tendency to view art solely as an investment or social marker rather than appreciating it for its inherent beauty or emotional impact. The artist challenges societal norms by ridiculing those who prioritize materialistic pursuits over genuine artistic appreciation. Daumier's skillful use of caricature and cartoon-like elements adds humor to his critique while also drawing attention to deeper issues within French society during that time period. This print serves as a reminder that true art lovers should approach artworks not through magnifying glasses but with open hearts and minds – ready to embrace their transformative power beyond mere monetary value.

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