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Cover of "L Plate au beurre", number 412
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Cover of "L Plate au beurre", number 412
ICA4912758 Cover of " L Plate au beurre", number 412, Satirique en couleurs, 1909_2_20: Wine, President of the Republic, Alcoholic Alcoholism - Fallieres Armand (1841-1931) - Illustration by Georges d Ostoya-Sochinsky (D Ostoya) (1878-1937) by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); (add.info.: Cover of " L Plate au beurre", number 412, Satirique en couleurs, 1909_2_20: Wine, President of the Republic, Alcoholic Alcoholism - Fallieres Armand (1841-1931) - Illustration by Georges d Ostoya-Sochinsky (D Ostoya) (1878-1937)); Photo eCaricadoc; French, out of copyright
Media ID 23338584
© Caricadoc / Bridgeman Images
Alcoholism Carnival Circus Crown Of Leaves Disguising Grape Grapevine Laughable A Journal Caricadoc Journalism Years 1900
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The captivating print titled "Cover of 'L Plate au beurre', number 412" transports us back to the early 20th century in France. This satirical illustration, created by Georges d Ostoya-Sochinsky, showcases a unique blend of political commentary and humor. In this artwork, we see President Fallieres Armand depicted as a wine barrel with a crown of leaves atop his head. The artist cleverly highlights the issue of alcoholism through this caricatured portrayal. The image is filled with symbolism, as grapes and grapevines surround the president, emphasizing his association with wine and excessive drinking. The vibrant colors used in this piece add to its playful nature, while also capturing the essence of carnival festivities. It is evident that this illustration was intended for publication in a journal or newspaper due to its engraving style and attention-grabbing composition. This artwork not only provides entertainment but also serves as social commentary on the political climate of France during that time period. Through satire and wit, it invites viewers to reflect on issues such as alcoholism within society and the role of politicians. Overall, this print offers a fascinating glimpse into French history while showcasing Georges d Ostoya-Sochinsky's talent for blending artistry with political critique.
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