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Louis XVIII (1755-1824) Greeting Marie-Caroline-Ferdinande de Bourbon, Princess of Sicily
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Louis XVIII (1755-1824) Greeting Marie-Caroline-Ferdinande de Bourbon, Princess of Sicily
XIR154760 Louis XVIII (1755-1824) Greeting Marie-Caroline-Ferdinande de Bourbon, Princess of Sicily, at the Croix de Saint-Herem in the Forest at Fontainebleau, 15th June 1816, 1817 (oil on canvas) by Lecomte, Hippolyte (1781-1857); 145x195 cm; ChAteau de Versailles, France; (add.info.: returned to France following fall of Napoleon and reinstatement of Bourbon monarchy; the bride was intended for the kings nephew, the Duc de Berry (1778-1820); ); French, out of copyright
Media ID 12730181
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Foret Kissing Hand Marquee Princesse Tent Welcoming Sicile
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EDITORS COMMENTS
In this print, we witness a momentous meeting between two prominent figures of the 19th century. Louis XVIII, the King of France, warmly greets Marie-Caroline-Ferdinande de Bourbon, Princess of Sicily, amidst the serene surroundings of the Croix de Saint-Herem in Fontainebleau Forest. Painted by Hippolyte Lecomte in 1817, this oil on canvas masterpiece captures a significant event that took place on June 15th, 1816. Louis XVIII's gesture reflects his desire to strengthen ties with other European monarchies following Napoleon's fall and the restoration of Bourbon rule in France. The princess herself was intended to marry Louis' nephew, the Duc de Berry – a union that would further solidify alliances within royal circles. The scene is filled with an air of grandeur and elegance as soldiers stand at attention while horses pull an ornate carriage carrying Marie-Caroline-Ferdinande. A tent or marquee has been set up for their meeting, providing shelter from nature's elements. As Louis extends his hand to greet her, she graciously accepts his welcome. This historic encounter is beautifully depicted through Lecomte's skilled brushwork and meticulous attention to detail. The painting now resides in Château de Versailles as part of its esteemed collection. As we gaze upon this remarkable artwork today, it serves as a testament to the power dynamics and diplomatic relationships that shaped Europe during this era.
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