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The Lamentation over the Dead Christ, c. 1629 (oil on canvas)

The Lamentation over the Dead Christ, c. 1629 (oil on canvas)


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The Lamentation over the Dead Christ, c. 1629 (oil on canvas)

471197 The Lamentation over the Dead Christ, c.1629 (oil on canvas) by Dyck, Anthony van (1599-1641); 114x207 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Painted for the high altar of the Begijnhof Church in Antwerp); © Art in Flanders

Media ID 28434770

© Art in Flanders / Bridgeman Images

Anthony Van Dyck Bowl Bowls Drapery Forlorn Grief Grieving Hand Kissing Lamentation Limp Mary Magdalene Melancholia Melancholy Mouring Mournful Nails Pieta Reclining Shroud Sorrow Unhappiness Unhappy Weeping 17 17th 17th 17th Xvii 18th Century Circa 1600 Early 17th Century Early Xvii Century Emotions Feeling Mourning Sadness Seventeeth Century


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EDITORS COMMENTS
This print showcases "The Lamentation over the Dead Christ" by Anthony van Dyck, a renowned Baroque painter of the 17th century. The painting, created in 1629 with oil on canvas, measures an impressive 114x207 cm and is currently housed at the Koninklijk Museum voor Schone Kunsten in Antwerp, Belgium. In this poignant scene, we witness a group of sorrowful figures surrounding the lifeless body of Jesus Christ. The composition exudes grief and mourning as Mary Magdalene tenderly cradles his limp hand while others express their sadness through tears and solemn expressions. The drapery adds depth to the emotional atmosphere, emphasizing their collective sorrow. Van Dyck's attention to detail is evident in every brushstroke; from the delicate portrayal of nails piercing Christ's hands to the intricate folds of fabric that drape over him like a shroud. This masterpiece was originally painted for the high altar of Begijnhof Church in Antwerp, further enhancing its significance. "The Lamentation over the Dead Christ" encapsulates not only religious devotion but also human emotions such as loss and despair. It serves as a powerful reminder of our mortality and invites viewers to reflect on themes of death and redemption. Bridgeman Images has impeccably captured this iconic artwork through their print reproduction technique, allowing art enthusiasts worldwide to appreciate Van Dyck's mastery even if they cannot visit it personally at Koninklijk Museum voor Schone Kunsten

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