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The Resurrection, 1885 (stained glass)

The Resurrection, 1885 (stained glass)


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The Resurrection, 1885 (stained glass)

3475660 The Resurrection, 1885 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Hallows, Allerton, Liverpool, UK; eAlastair Carew-Cox; English, out of copyright

Media ID 22726998

© Alastair Carew-Cox / Bridgeman Images

Aestheticism Arts And Crafts Blinded Disbelief Guard Guards Passion Protection Risen Testament Pre Raphaelite


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> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

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> Arts > Artists > Edward Burne-Jones > Victorian era paintings

> Arts > Artists > Edward Burne-Jones

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Artists > Henry Holiday

> Fine Art Finder > Stained Glass

> Popular Themes > Religious Images


EDITORS COMMENTS
This print showcases "The Resurrection, 1885 (stained glass)" by Edward Coley Burne-Jones. The artwork is located in All Hallows, Allerton, Liverpool, UK and beautifully captures the essence of the Arts and Crafts movement. In this scene, we witness the profound moment of Christ's resurrection. The image depicts a soldier standing guard at Jesus' tomb with a shield in hand, symbolizing protection and disbelief. As the guards are blinded by an awe-inspiring light emanating from within the tomb, they are left astonished and overwhelmed by what they have witnessed. The stained glass window portrays a powerful representation of Christianity's central belief - that Jesus has risen from death to bring new life to all believers. This Victorian-era masterpiece perfectly encapsulates the pre-Raphaelite aestheticism with its intricate details and vibrant colors. As viewers gaze upon this extraordinary piece of art, they cannot help but feel a sense of wonderment and reverence for this pivotal event in Christian history. It serves as a reminder of faith's enduring power and offers solace to those seeking spiritual enlightenment. Alastair Carew-Cox skillfully captures every nuance of Burne-Jones' masterpiece through his lens, allowing us to appreciate this remarkable work even if we can't visit it personally.

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