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At Pandon, 1841 (pencil & w / c on paper)
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At Pandon, 1841 (pencil & w / c on paper)
1214142 At Pandon, 1841 (pencil & w/c on paper) by Brown, J.I. (fl.1841); 23.1x33.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Pandon stood to the east of Newcastle and was originally a small medieval settlement which became a centre for a number of unpleasant trades such as tanning and soap-making. The medieval, half-timbered buildings in this watercolour were combined houses, workshops, and warehouses. The outsized doors in the roofs led to warehouse-attic areas. To cross Newcastle it was often necessary to negotiate streets such as these.); eTyne & Wear Archives & Museums; British, out of copyright
Media ID 23559996
© Tyne & Wear Archives & Museums / Bridgeman Images
Half Timbered Newcastle Pedestrians
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EDITORS COMMENTS
This print titled "At Pandon, 1841" showcases the remarkable talent of J. I. Brown, a skilled artist from the 19th century. The artwork, created using pencil and watercolor on paper, measures 23.1x33.5 cm and is currently housed in the prestigious Laing Art Gallery in Newcastle-upon-Tyne, UK. The image transports us back to the year 1841 when Pandon, located east of Newcastle, was a bustling medieval settlement known for its unpleasant trades such as tanning and soap-making. The painting depicts a street scene filled with half-timbered buildings that served as combined houses, workshops, and warehouses. These unique structures feature outsized doors leading to attic-like warehouse areas. Intriguingly enough, traversing through streets like these was often necessary to navigate across Newcastle during that era. This artwork beautifully captures the essence of this historic town's architecture and offers a glimpse into daily life during those times. With pedestrians strolling along the cobbled streets against a backdrop of medieval charm, this painting evokes an air of nostalgia for England's rich heritage. It serves as a testament to Brown's artistic prowess in capturing intricate details while preserving historical significance. Thanks to eTyne & Wear Archives & Museums' preservation efforts and Bridgeman Images' contribution towards making it accessible through Fine Art Finder platform today we can admire this mesmerizing piece without any commercial restrictions
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