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The Transvaal War, Scenes at the Front (litho)
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The Transvaal War, Scenes at the Front (litho)
1599167 The Transvaal War, Scenes at the Front (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: The Transvaal War, Scenes at the Front. Illustration for The Illustrated London News, 20 January 1900.
A Forestier); Look and Learn / Illustrated Papers Collection
Media ID 22274088
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Belmont Boer Prisoners Detraining Escorted Front Fusiliers Second Boer War Transvaal War
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EDITORS COMMENTS
This black and white lithograph, titled "The Transvaal War, Scenes at the Front" takes us back to a significant moment in history - the Second Boer War. Created by Amedee Forestier and printed in 1900 for The Illustrated London News, this print offers a glimpse into the harsh realities faced by soldiers during this conflict. In the foreground of the image, we see a group of British troops detraining at De Aar Junction. They are accompanied by armed escorts as they prepare to face their next challenge on the battlefield. The artist's attention to detail is remarkable; every soldier's uniform and expression tells a story of determination mixed with apprehension. As our eyes move towards the background, we witness another poignant scene - Boer prisoners being escorted away from Belmont. This powerful juxtaposition reminds us that war affects both sides profoundly; it is not just about victory or defeat but also about human lives forever altered. Forestier's skillful engraving technique brings depth and texture to each element within this composition. From the dusty landscape to the weary faces of soldiers, every stroke captures an essence of realism that transports us directly into this tumultuous era. This print serves as a reminder of how art can preserve historical events for generations to come. It invites us to reflect on past conflicts while appreciating those who fought bravely amidst unimaginable circumstances in South Africa's Transvaal War.
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