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Idealised Portrait of a Young Woman as Flora, c.1520 (mixed media on poplar)
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Idealised Portrait of a Young Woman as Flora, c.1520 (mixed media on poplar)
7756128 Idealised Portrait of a Young Woman as Flora, c.1520 (mixed media on poplar) by Bartolomeo Veneto (d.1531); 43.7 x 34.7 cm; Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Bartolomeo Veneto
Thought to be Lucrezia Borgia (1480-1519) the daughter of Pope Alexander VI, and Vannozza dei Cattanei. In fact it shows an unknown lady in the guise of Flora, the classical goddess of spring.)
Media ID 33092012
© Bridgeman Images
Bare Chest Blond Hair Laurel Wreath Looking In The Eyes Spring Jewel Mythological Figure
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EDITORS COMMENTS
This print showcases Bartolomeo Veneto's "Idealised Portrait of a Young Woman as Flora" believed to have been created around 1520. The mixed media artwork, measuring 43.7 x 34.7 cm, is housed in the Stadel Museum in Frankfurt am Main, Germany. The subject of this portrait was initially thought to be Lucrezia Borgia, daughter of Pope Alexander VI and Vannozza dei Cattanei; however, it actually depicts an unknown lady embodying Flora, the classical goddess of spring. This mythological figure represents rebirth and renewal during the season of spring. Adorned with a laurel wreath atop her turban-like hat, this young woman exudes beauty and elegance. Her golden locks cascade down her bare chest while she gazes directly into the viewer's eyes with confidence and allure. A striking necklace adorns her neck, accentuating her graceful features. The intricate details captured by Veneto bring out the delicate contours of her face and emphasize the softness of her complexion. This Renaissance masterpiece reflects Italy's rich artistic heritage and demonstrates Veneto's skillful portrayal of mythological figures within portraiture. Through his use of mixed media on poplar wood, he creates a harmonious blend between reality and mythology. Horst Ziegenfusz expertly captures every nuance in this print from Fine Art Finder. It serves as a testament to both Veneto's talent as an artist and Ziegenfusz's ability to preserve its timeless beauty for all art enthusiasts to appreciate today.
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