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Lady Parker, wife of Sir Henry Parker. 1812 (engraving)
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Lady Parker, wife of Sir Henry Parker. 1812 (engraving)
7234583 Lady Parker, wife of Sir Henry Parker.1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Lady Parker, wife of Sir Henry Parker. First wife Grace Newport, or second wife Elizabeth Calthrope. Also identified as Jane Boleyn (nee Parker), sister-in-law to Anne Boleyn. Handcoloured copperplate stipple engraving by James Minasi after a portrait by Hans Holbein the Younger from Imitations of Original Drawings by Hans Holbein, John Chamberlaine, London, 1812.); © Florilegius
Media ID 31728030
© Florilegius / Bridgeman Images
Faces Hans Holbein The Younger Heads Holbein Hans The Younger 1497 1543 Holbein The Younger Hans 1497 8 1543 Nobles Noble Only One Person Reinassance Renaissance Time Societies
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EDITORS COMMENTS
This engraving, titled "Lady Parker, wife of Sir Henry Parker" transports us back to the year 1812 and offers a glimpse into the elegant world of European nobility. Created by renowned artist Hans Holbein the Younger in the 16th century, this portrait showcases his exceptional talent for capturing both physical likeness and inner essence. The subject of this print is believed to be Lady Parker, whose identity has sparked some debate among historians. Some suggest that she may have been Grace Newport, Sir Henry Parker's first wife, while others propose that she could be Elizabeth Calthrope or even Jane Boleyn (nee Parker), sister-in-law to Anne Boleyn. Regardless of her true identity, there is no denying her striking beauty and regal presence. Handcolored with meticulous detail by James Minasi in 1812, this copperplate stipple engraving breathes life into Lady Parker's visage. Every delicate line and shading accentuates her refined features and adds depth to her expression. As we gaze upon this exquisite piece of art from Fine Art Finder's private collection, we are transported back in time to an era characterized by opulence and refinement. Lady Parker stands as a symbol of grace and femininity within a society governed by strict codes of conduct. Her portrait serves as a testament to the enduring allure of Renaissance portraiture and its ability to capture not only physical appearances but also glimpses into the souls of its subjects.
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