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Tourists at the gorges of Apremont, near the entrance of the cave
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Tourists at the gorges of Apremont, near the entrance of the cave
XEE4166362 Tourists at the gorges of Apremont, near the entrance of the cave, in the forest of Fontainebleau, 1872. Engraving in " Le Monde Illustre" nA'810 of 19 October 1872. by French School, (19th century); Private Collection; (add.info.: Tourists at the gorges of Apremont, near the entrance of the cave, in the forest of Fontainebleau, 1872. Engraving in " Le Monde Illustre" nA'810 of 19 October 1872.); Stefano Bianchetti; French, out of copyright
Media ID 22298986
© Stefano Bianchetti / Bridgeman Images
19 19e 19eme Xix Xixe Xixeme Siecle Fontainebleau Foret France Francais Francaise Francaises Ile De France Island Of France Loisirs Seine And Marne 77 Seine Et Marne 77 Tourisme Tourist Touriste Vacances
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EDITORS COMMENTS
This engraving from 1872 captures a moment in time at the gorges of Apremont, near the entrance of a cave, in the enchanting forest of Fontainebleau. The image showcases a group of tourists immersed in leisurely exploration, taking in the beauty and wonder that surrounds them. The black and white composition transports us back to an era when travel was more adventurous and less commercialized. These intrepid travelers are seen clad in their 19th-century attire, embracing the spirit of discovery as they navigate through this picturesque landscape. The forest of Fontainebleau provides a stunning backdrop for this scene, with its lush greenery and towering cliffs creating an atmosphere of tranquility and awe. As these visitors venture towards the cave's entrance, one can only imagine what mysteries lie within its depths. This engraving not only serves as a visual record but also evokes feelings of nostalgia for a bygone era. It reminds us that even centuries ago, people sought solace and inspiration amidst nature's wonders. Through Stefano Bianchetti's skilled craftsmanship, we are transported to this idyllic setting where tourism takes on a different meaning - one rooted in curiosity and appreciation for our natural surroundings. As we gaze upon this print today, it serves as both an homage to those who came before us and an invitation to embark on our own journeys into unexplored territories – be it physical or metaphorical – just like those tourists at the gorges of Apremont did
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