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With the Ashanti Field Force, Views on the Line of March (litho)

With the Ashanti Field Force, Views on the Line of March (litho)


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With the Ashanti Field Force, Views on the Line of March (litho)

1600318 With the Ashanti Field Force, Views on the Line of March (litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: With the Ashanti Field Force, Views on the Line of March. Illustration for The Illustrated London News, 3 November 1900.
H C Seppings Wright); Look and Learn / Illustrated Papers Collection

Media ID 23400186

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Ghana Line Of March Officers Quarters Post Office Monumument Prahsu Stone Church


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> Africa > Ghana > Related Images

> Architecture > Churches

> Architecture > Hospitals

> Arts > Artists > W > Henry Charles Seppings Wright

> Europe > United Kingdom > England > London > Hospitals

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> Fine Art Finder > Artists > Henry Charles Seppings Wright

> Historic > Monuments and landmarks > Monuments and memorials


With the Ashanti Field Force, Views on the Line of March

EDITORS COMMENTS
is a captivating lithograph that takes us back to a significant moment in history. Created by Henry Charles Seppings Wright, this print offers a glimpse into the journey of the Ashanti Field Force during their march. The composition showcases various scenes along the line of march, each telling its own story. From a cut through dense bamboo clumps to an imposing stone church and tribal architecture, every element adds depth and richness to this visual narrative. As we explore further, our eyes are drawn to notable landmarks such as the government rest house and native hospital. These structures not only serve practical purposes but also reflect the colonial influence on Ghana's architectural landscape. The presence of officers' quarters and missionary houses reminds us of the diverse individuals involved in this expedition - from military personnel to religious figures who played crucial roles in shaping local communities. This lithograph captures more than just physical surroundings; it encapsulates cultural encounters too. The image subtly hints at interactions with native servants and Wesleyan missionary schools along the way, highlighting moments where different worlds collide. Overall, "With the Ashanti Field Force, Views on the Line of March" is not merely an artwork but also a historical document that allows us to delve into Ghana's past. It serves as a reminder of how art can preserve memories and shed light on important events for generations to come.

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