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View of the Roman Forum, from the Views of Rome series, 1758 (etching)
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View of the Roman Forum, from the Views of Rome series, 1758 (etching)
XJF497209 View of the Roman Forum, from the Views of Rome series, 1758 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma, Veduta di Campo Vaccino. View towards the colosseum, with the Temple of Antoninus and Faustina on the left and the Temple of Castor and Pollux on the right.); Italian, out of copyright
Media ID 12915909
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Antoninus Archaeological Campo Castor Colosseum Faustina Forum Pollux Roma Series Site Temples Veduta Vedute Vaccino
EDITORS COMMENTS
This etching, titled "View of the Roman Forum" is part of Giovanni Battista Piranesi's renowned Views of Rome series from 1758. The print offers a mesmerizing glimpse into the ancient city, showcasing the grandeur and architectural marvels that once defined Rome. In this particular view, we are transported to Campo Vaccino, where the Roman Forum unfolds before our eyes. The majestic Colosseum stands proudly in the distance, its imposing presence dominating the skyline. To the left, we spot the Temple of Antoninus and Faustina with its intricate details and rich history. On the right side of our frame lies another iconic structure -the Temple of Castor and Pollux- exuding an aura of strength and resilience. The artist skillfully captures not only these magnificent temples but also provides us with a sense of scale by including human figures scattered throughout. Their small stature against these monumental ruins emphasizes both their insignificance in comparison to time's passage and highlights how they have become mere observers in this vast archaeological site. Piranesi's masterful use of etching techniques brings every detail to life; from each column to every weathered stone, allowing viewers to immerse themselves fully in this historical panorama. As we gaze upon this artwork, we cannot help but feel awe-inspired by Rome's rich past while contemplating its enduring legacy as one of humanity's greatest civilizations. This exquisite piece serves as a testament to Piranesi's talent for capturing not just physical structures
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