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Bait Bug, 1833-39 (coloured engraving)
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Bait Bug, 1833-39 (coloured engraving)
999263 Bait Bug, 1833-39 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: A Dictionnaire pittoresque d histoire naturelle et des phenomAnes de la natureA, 1833-39, published by Felix Edouard Guerin-Meneville
Pferdebremse, Rosskastanie, Kastanie, Fliegen, Stahlstich, 19tes Jahrhundert, Illustration, Pflanzen, Tiere, Insekten
Hippe, Hippobosque, Hippocastane
Hippobosca equina, Aesculus hippocastanum); ePurix Verlag Volker Christen; French, out of copyright
Media ID 22744226
© Purix Verlag Volker Christen / Bridgeman Images
Chestnut Flies Horse Chestnut Horse Fly
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EDITORS COMMENTS
This colored engraving titled "Bait Bug, 1833-39" transports us back to the 19th century with its intricate details and vibrant hues. Created by an anonymous French School artist, this print is part of a private collection and was originally published in "A Dictionnaire pittoresque d'histoire naturelle et des phénomènes de la nature" a renowned work by Felix Edouard Guerin-Meneville. The artwork showcases the fascinating world of insects and plants, capturing the essence of nature's wonders. In the foreground, we see a horse fly, also known as a bait bug or Hippobosca equina, perched on a branch of an Aesculus hippocastanum tree (horse chestnut). The meticulous engravings bring these creatures to life, highlighting their unique features and delicate anatomy. The composition beautifully combines scientific accuracy with artistic flair. The attention to detail in depicting both flora and fauna is remarkable - from the texture of the insect's wings to the intricate patterns on the leaves. This print serves as not only an educational tool but also as a testament to humanity's fascination with understanding and appreciating our natural surroundings. Preserved through time by ePurix Verlag Volker Christen, this French engraving continues to captivate viewers today. Its historical significance lies not only in its depiction of specific species but also in its representation of 19th-century scientific illustration techniques. As we admire this masterpiece from
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