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Bristol High Cross in Stourhead Gardens, 25th May 1819 (pencil on paper)

Bristol High Cross in Stourhead Gardens, 25th May 1819 (pencil on paper)


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Bristol High Cross in Stourhead Gardens, 25th May 1819 (pencil on paper)

2831815 Bristol High Cross in Stourhead Gardens, 25th May 1819 (pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery, UK; (add.info.: a monochrome pencil drawing, showing the famous Bristol monument in its new location, mounted
); eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; English, out of copyright

Media ID 22429900

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

Bristol High Cross Landmark Regency


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> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Realistic drawings > Pencil drawings > Fine art

> Arts > Realistic drawings > Pencil drawings > Sketches

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> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > Sculptures

> Fine Art Finder > Artists > George Orleans Delamotte

> Fine Art Finder > Artists > James Johnson

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EDITORS COMMENTS
This black and white pencil drawing, titled "Bristol High Cross in Stourhead Gardens, 25th May 1819" takes us back to a significant moment in history. Created by the talented artist James Johnson, this artwork is housed at the Bristol Museum and Art Gallery in the UK. The image showcases the renowned Bristol monument in its new location, beautifully mounted against a backdrop of lush greenery. The intricate details captured through Johnson's skillful hand bring life to this study of a landmark that holds great historical significance. With its towering presence and exquisite craftsmanship, the high cross stands as a testament to England's rich cultural heritage. This sketch offers viewers an opportunity to delve into Britain's past during the Regency era when such monuments were revered symbols of civic pride. As we gaze upon this remarkable piece of art, we are transported back to May 25th, 1819 – a day frozen in time. The meticulous strokes reveal not only Johnson's artistic prowess but also his deep appreciation for British architecture and sculpture. Thanks to William Jerdone Braikenridge's generous bequest in 1908, this extraordinary work continues to captivate audiences today. It serves as a reminder of our shared history and reminds us how art can transcend time and connect us with those who came before us.

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