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The Fear of the Camera in South Africa (engraving)

The Fear of the Camera in South Africa (engraving)


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The Fear of the Camera in South Africa (engraving)

1063195 The Fear of the Camera in South Africa (engraving) by English School, (19th century); Private Collection; (add.info.: The Fear of the Camera in South Africa, a Scene in Maclutsie Camp, Mashonaland. Illustration for The Graphic, 18 November 1893.); Look and Learn / Illustrated Papers Collection

Media ID 22214630

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Angst Anguish Anxiety Camera Mashonaland Fear Natives


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The Fear of the Camera in South Africa - A Glimpse into Tribal Anxiety

EDITORS COMMENTS
. This photo print, titled "The Fear of the Camera in South Africa" transports us back to a significant moment in history. Created by an English School artist during the 19th century, this engraving captures a scene in Maclutsie Camp, Mashonaland. Originally published as an illustration for The Graphic on November 18,1893, it offers a poignant insight into the complex relationship between photography and native tribes. In this evocative image, we witness a group of natives from South Africa grappling with anguish and anxiety as they confront the camera's lens. Their expressions reveal deep-seated fear and unease towards this unfamiliar technology that had recently arrived on their shores. It is evident that these individuals are experiencing profound angst at being captured through photography. The composition skillfully portrays both curiosity and trepidation within Maclutsie Camp. As viewers, we become witnesses to this clash between tradition and modernity – where tribal customs collide with the intrusion of Western influence. Through its powerful imagery, this artwork prompts us to reflect upon themes such as cultural identity and colonialism. It reminds us of how technological advancements can evoke mixed emotions among those whose lives are affected by them. "The Fear of the Camera in South Africa" serves as a timeless reminder that every photograph has its own story to tell – one filled with layers of emotion and historical significance.

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