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Mademoiselle de Beaumont or the Chevalier d Eon, pub. 1777 (engraving)
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Mademoiselle de Beaumont or the Chevalier d Eon, pub. 1777 (engraving)
2655358 Mademoiselle de Beaumont or the Chevalier d Eon, pub. 1777 (engraving) by English School, (18th century); Private Collection; (add.info.: Charles d Eon de Beaumont (1728-1810); French political adventurer; sent by Louis XV to Russia as a secret agent (1755); minister plenipotentiary in London (1762-63); Captain of Dragoons; celebrated swordsman; took part in fencing tournaments until seriously wounded in 1786; lived in London from 1785 and died there in poverty in 1810; ); The Stapleton Collection; English, out of copyright
Media ID 22761324
© The Stapleton Collection / Bridgeman Images
Breeches Crinoline Cross Dresser Cross Dressing Disguise Dual Espionage Frock Coat Gender Gown Half Identity Mademoiselle Tranny Transvestite Womens Clothes Chevalier Deon
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EDITORS COMMENTS
This intriguing engraving from 1777 captures the enigmatic figure of Mademoiselle de Beaumont or the Chevalier d'Eon, a fascinating character from the 18th century. The print showcases an individual who challenges traditional notions of gender and identity. Charles d'Eon de Beaumont, as depicted in this image, was a French political adventurer with a remarkable life story. Sent by Louis XV to Russia as a secret agent in 1755, he later served as minister plenipotentiary in London from 1762 to 1763. Not only was he known for his diplomatic skills but also for his prowess as a celebrated swordsman and participant in fencing tournaments. The visual representation is striking, showcasing the dual nature of d'Eon's persona. Dressed half in feminine attire - wearing an elegant gown and crinoline - while donning masculine clothing such as breeches and frock coat on the other side, it highlights his ability to seamlessly navigate between genders. However, beyond mere aesthetics lies a deeper narrative of espionage and disguise. This engraving alludes to d'Eon's role as a spy during turbulent times. His ability to transcend societal expectations allowed him access into spaces that would have otherwise been inaccessible. Ultimately, this print invites contemplation on themes such as gender fluidity, personal identity, and societal norms prevalent during the Georgian era. It serves not only as an artistic piece but also offers insight into one individual's extraordinary journey through history
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