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The Stature of a Great Man or an English Colossus, by George Bickham the Younger
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The Stature of a Great Man or an English Colossus, by George Bickham the Younger
XJF867974 The Stature of a Great Man or an English Colossus, by George Bickham the Younger, 1740 (engraving) by King, Haynes (1831-1904); Private Collection; (add.info.: BM 18680808.3635); English, out of copyright
Media ID 12940948
© www.bridgemanart.com
Bribery Corruption Cuba Earl Orford Giant International Member Parliament Prime Minister Rhodes Robert Walpole Taxation Taxes Walpole Whig
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The Stature of a Great Man or an English Colossus
EDITORS COMMENTS
is a captivating engraving by George Bickham the Younger, dating back to 1740. This intriguing artwork depicts a satirical portrayal of Robert Walpole, the first Prime Minister of Great Britain. The print showcases Walpole as a colossal figure towering over ships and cityscapes, symbolizing his immense power and influence. Through clever caricature and political satire, Bickham highlights the controversial aspects of Walpole's reign. The artist alludes to bribery and corruption within Parliament, emphasizing the manipulative nature of politics during that era. Furthermore, the image hints at excessive taxation imposed on British citizens under Walpole's rule. The cartoon-like depiction also includes references to international relations with France and Cuba, suggesting that Walpole's policies had far-reaching consequences beyond domestic affairs. By presenting him as a giant statesman amidst these elements, Bickham portrays both admiration for his stature in government and criticism for his methods. "The Stature of a Great Man or an English Colossus" serves as an important historical document shedding light on the complexities of 18th-century British politics. It invites viewers to reflect upon issues such as governmental accountability, abuse of power, and public sentiment towards those in positions of authority. This remarkable piece can be found in private collections today but remains accessible through Bridgeman Art Gallery's online platform—a testament to its enduring relevance in understanding our political past.
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