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New discoveries made in 1775, 67 and 69 in the South Seas, engraving by G. Zuliani taken from Tome I of the "Newest Atlas"published in Venice in 1776 by Antonio Zatta, Private Collection
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New discoveries made in 1775, 67 and 69 in the South Seas, engraving by G. Zuliani taken from Tome I of the "Newest Atlas"published in Venice in 1776 by Antonio Zatta, Private Collection
3572507 New discoveries made in 1775, 67 and 69 in the South Seas, engraving by G. Zuliani taken from Tome I of the " Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection by Zuliani, G. (18th century); (add.info.: Artist: Zuliani G.
Date of Artwork: 1776
Location: Florence
Photographer: Alinari); Alinari Archives, Florence
Media ID 23137676
© Alinari Archives, Florence / Bridgeman Images
Abstract Concept And Symbol Cartography Communication And Publicity Concept Or Subject Expressed Drawing And Graphics Geographical Or Topographical Map Graphics Instrument And Document Movable Modern Work Renaissance Baroque Styles And Periods Scene Means Of Communication Territory
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EDITORS COMMENTS
This engraving, taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, showcases new discoveries made in the South Seas during the years 1775,1767, and 1769. Created by the talented artist G. Zuliani, this print is a true testament to the artistic styles and periods of the eighteenth century. The scene depicted in this artwork transports us back to a time when communication and exploration were at their peak. The intricate details of this geographical map highlight various territories and cartographic elements that were crucial for navigation during that era. The abstract concept and symbol of sea are beautifully captured through Zuliani's skillful use of graphics and engraving techniques. This movable modern work serves as both an instrument and document for understanding the geography of Europe during the early 18th century. As we delve into this piece further, we can appreciate its allegorical nature - it represents not only new discoveries but also signifies communication and publicity. The writing on the map adds another layer of depth to its meaning, emphasizing its importance as a tool for knowledge dissemination. Now part of a private collection held by Bridgeman Images, this engraving provides us with a glimpse into history while showcasing Zuliani's talent as an artist. It stands as a remarkable example of Renaissance Baroque styles prevalent during that period.
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