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Marriage by the Book, caricature from Les Metamorphoses du Jour series, engraved by G

Marriage by the Book, caricature from Les Metamorphoses du Jour series, engraved by G


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Marriage by the Book, caricature from Les Metamorphoses du Jour series, engraved by G

XIR213938 Marriage by the Book, caricature from Les Metamorphoses du Jour series, engraved by G. Langlume (1822-40) (coloured engraving) (see also 177458) by Grandville (Jean Ignace Isidore Gerard) (1803-47) (after); Bibliotheque Nationale, Paris, France; (add.info.: un mariage suivant les lois; ); French, out of copyright

Media ID 12760395

© www.bridgemanimages.com

Anthropomorphic Anthropomorphism Behaviour Bourgeois Bourgeoisie Dressed Heron Lounging Lyre Metamorphosis Social Commentary Swan Waterfowl


EDITORS COMMENTS
This print titled "Marriage by the Book" is a delightful caricature from the Les Metamorphoses du Jour series, engraved by G. Langlume between 1822 and 1840. Created by Grandville (Jean Ignace Isidore Gerard), this colored engraving showcases his exceptional talent for anthropomorphism and social commentary. In this satirical artwork, we witness an amusing scene of a wedding that follows all societal norms and laws. The artist cleverly portrays the bride as a graceful swan while the groom takes on the form of an elegant heron. Dressed in their finest attire, these avian characters represent bourgeois society with their refined behavior. The setting is a picturesque park where leisure activities take place. The husband can be seen lounging comfortably while fishing, symbolizing his relaxed attitude towards married life. Meanwhile, his wife strums a lyre nearby, perhaps suggesting her desire to entertain him or express herself through music. Grandville's metamorphic style adds another layer of whimsy to this piece as it blurs the lines between human and animal characteristics. Through satire and wit, he offers insightful observations about marriage within bourgeois society during this era. This enchanting print captures not only our attention but also invites us to reflect upon societal expectations surrounding matrimony at that time. It serves as a timeless reminder that even in artful exaggeration lies truth about human behavior and relationships.

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