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Varnishing day, cover illustration of La Caricature magazine
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Varnishing day, cover illustration of La Caricature magazine
REV253034 Varnishing day, cover illustration of La Caricature magazine, 9th May 1885 (colour engraving) by Robida, Albert (1848-1926); Private Collection; (add.info.: Le vernissage ; Great attraction - quelques succes du salon de 1885 ; Le vrai vernissage c est nous, vernissards et vernissardes! ; engraved by Yves & Barret; mai; no.208; ); French, out of copyright
Media ID 22657046
© Bridgeman Images
Agitation Bustle Comment Critical Criticism Display Journal Labels Mannequin Mannequins Model Models Monocle Snobbery Snobbish Suit Suits Varnish Weekly Social History Tags
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This vibrant and satirical illustration captures the essence of "Varnishing day" in 19th-century Paris. Created by Albert Robida for the cover of La Caricature magazine on May 9,1885, this colour engraving provides a fascinating glimpse into the social and political climate of the time. The scene is set in a bustling shop filled with mannequins displaying fashionable attire. The attention to detail is remarkable, from the elegant suits and bonnets worn by both men and women to the exaggerated moustaches and monocles that add an air of snobbishness to some characters. A mannequin wearing a top hat holds a walking stick adorned with labels, symbolizing fashion's influence on society. Robida's clever commentary is evident throughout the illustration. The title "Le vernissage" (The Varnishing) suggests that these varnishers are not artists but rather pretentious individuals who consider themselves experts in matters of style. The cartoon-like tags attached to various figures further emphasize their obsession with fashion trends. Beyond its humorous elements, this artwork also serves as a form of political satire. By depicting these varnishing day participants as caricatures, Robida critiques societal norms and highlights issues such as snobbery and superficiality prevalent during this era. Overall, this print offers viewers an intriguing window into French social history while showcasing Robida's artistic talent in capturing movement, action, and agitation within his compositions.
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