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Rebecca gives her son Jacob, wearing Esaus clothes
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Rebecca gives her son Jacob, wearing Esaus clothes
LRI4647639 Rebecca gives her son Jacob, wearing Esaus clothes, a plate of kid meat so that he can take her to his blind father Isaac and take her blessing instead of Esau Miniature from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi by Unknown Artist, (14th century); Museo dell Accademia dei Concordi, Rovigo, Italy; (add.info.: Rebecca gives her son Jacob, wearing Esaus clothes, a plate of kid meat so that he can take her to his blind father Isaac and take her blessing instead of Esau Miniature from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi); Luisa Ricciarini; out of copyright
Media ID 23336754
© Luisa Ricciarini / Bridgeman Images
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EDITORS COMMENTS
In this photo print, we are transported back to biblical times as we witness a pivotal moment between Rebecca and her son Jacob. The scene depicts the cunning plan devised by Rebecca to secure Isaac's blessing for Jacob instead of his older brother Esau. Dressed in Esau's clothes, Jacob sits before his mother who presents him with a plate of succulent kid meat. This meal holds great significance as it symbolizes the deceitful exchange that will take place shortly after. With this offering, Rebecca hopes to deceive Isaac, who is blind and unable to recognize his sons by touch alone. The artist skillfully captures the tension and secrecy surrounding this clandestine act. The delicate illumination techniques used in this miniature from Codex 212 bring life to each intricate detail - from the folds of their garments to the expressions on their faces. This artwork not only showcases religious themes but also provides us with a glimpse into medieval life during the 14th century. It serves as a reminder of how biblical stories have influenced art throughout history. Luisa Ricciarini's interpretation beautifully encapsulates the complexity of human nature and moral dilemmas found within biblical narratives. As viewers, we are left pondering questions about loyalty, deception, and divine intervention while admiring Ricciarini's masterful craftsmanship.
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