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Death of Alaric II, 507: Clovis I (465-511), king of the Franks, killing Alaric II (484-507), king of the Visigoths, at the Battle of Vouille in 507. Engraving of the 18th century
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Death of Alaric II, 507: Clovis I (465-511), king of the Franks, killing Alaric II (484-507), king of the Visigoths, at the Battle of Vouille in 507. Engraving of the 18th century
XEE4409061 Death of Alaric II, 507: Clovis I (465-511), king of the Franks, killing Alaric II (484-507), king of the Visigoths, at the Battle of Vouille in 507. Engraving of the 18th century. by French School, (18th century); Private Collection; (add.info.: Death of Alaric II, 507: Clovis I (465-511), king of the Franks, killing Alaric II (484-507), king of the Visigoths, at the Battle of Vouille in 507. Engraving of the 18th century.); Stefano Bianchetti
Media ID 25908820
© Stefano Bianchetti / Bridgeman Images
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EDITORS COMMENTS
This 18th-century engraving captures the dramatic moment of the Death of Alaric II, a significant event in European history. The print depicts Clovis I, the powerful king of the Franks, engaged in combat with Alaric II, king of the Visigoths. This intense battle took place at Vouille in 507 and marked a turning point in the struggle for dominance between these two rival kingdoms. The artist skillfully portrays the violence and brutality of this clash on the battlefield. The scene is filled with chaos as warriors fight fiercely amidst swirling dust and flying weapons. Both kings are depicted as formidable figures, each determined to secure victory for their people. The engraving offers us a glimpse into this pivotal moment that shaped medieval Europe. It showcases not only an important historical event but also reflects upon themes such as power struggles, conquests, and territorial disputes that were prevalent during this time period. Stefano Bianchetti's meticulous attention to detail brings life to this historical narrative. Through his artistic interpretation, we can almost hear the clash of swords and feel the tension in the air. This print serves as a testament to both French culture and its rich history while reminding us of humanity's capacity for conflict even centuries ago.
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