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The Common Method of Beetling, Scutching and Hackling the Flax
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The Common Method of Beetling, Scutching and Hackling the Flax
STC110568 The Common Method of Beetling, Scutching and Hackling the Flax, plate IV of The Linen Manufactory of Ireland, 1791 (coloured litho) by Hincks, William (1752-1797); 42x36 cm; Private Collection; The Stapleton Collection; English, out of copyright
Media ID 23255152
© The Stapleton Collection / Bridgeman Images
Beating Carding Cottage Industry Cutting Knife
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EDITORS COMMENTS
This print titled "The Common Method of Beetling, Scutching and Hackling the Flax" takes us back to the year 1791, offering a glimpse into the laborious process involved in linen manufacturing during that era. The image showcases a picturesque cottage industry scene, where every member of the family is actively engaged in preparing flax for production. In this enchanting snapshot, we see a young child diligently carding flax fibers while an adult uses a cutting knife to trim them. The presence of a dog adds warmth and companionship to this rustic setting. A walking stick or cane leans against the wall nearby, hinting at its owner's hard work and dedication. The engraving beautifully captures both the simplicity and complexity of this traditional craft. It highlights how each step - from beetling to scutching and hackling - required meticulous attention to detail. These processes were essential for transforming raw flax into fine linen fabric. As we gaze upon this historical artwork, it reminds us of the immense effort put forth by families involved in cottage industries like these. Their collective labor sustained not only their own livelihoods but also contributed significantly to Ireland's rich textile heritage. This colored lithograph from William Hincks' collection holds great historical value as it immortalizes an important aspect of Irish culture during that time period. It serves as a reminder of our ancestors' resilience and ingenuity in creating beautiful textiles through sheer determination and hard work.
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