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Beggar, after Jacques Callot (1592-1635) engraved by Adrien Lavieille (1818-62
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Beggar, after Jacques Callot (1592-1635) engraved by Adrien Lavieille (1818-62
REV326140 Beggar, after Jacques Callot (1592-1635) engraved by Adrien Lavieille (1818-62) (colour engraving) by Racinet, Albert Charles August (1825-93) (after); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Gueux; mendiant; 17th century costume; ); French, out of copyright
Media ID 22380432
© Bridgeman Images
Beads Begging Rags Rosary Tramp Wanderer Wandering White Hair Woodcut
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EDITORS COMMENTS
This print titled "Beggar, after Jacques Callot (1592-1635) engraved by Adrien Lavieille (1818-62)" transports us back to the 17th century, immersing us in a world of poverty and destitution. The image, a colour engraving created by Albert Charles August Racinet (1825-93), captures the essence of a beggar's life with remarkable detail. The beggar depicted in this print is an elderly man, his face weathered by years of hardship. His tattered rags hang loosely from his frail frame, symbolizing the depths of his poverty. A worn-out wooden cross hangs around his neck while he clutches onto a string of beads - perhaps finding solace in prayer amidst his struggles. Every line etched into this engraving tells a story; every wrinkle on the beggar's face speaks volumes about resilience and survival. His moustache and beard are unkempt, further emphasizing the neglect he has endured over time. With an old hat perched atop his head and white hair peeking out from underneath it, this wanderer embodies both vulnerability and strength. He carries himself with dignity despite societal disregard for those living on society's fringes. This print serves as a poignant reminder that poverty knows no boundaries or time periods. It invites viewers to reflect upon our shared humanity and consider how we can extend compassion towards those less fortunate than ourselves.
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