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Andre Ernest Modeste (Andre-Ernest-Modeste) Gretry (1741-1813)
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Andre Ernest Modeste (Andre-Ernest-Modeste) Gretry (1741-1813)
XEE4153576 Andre Ernest Modeste (Andre-Ernest-Modeste) Gretry (1741-1813), a French composer and friend of Voltaire, on the day of the first performance of the " Huron", a comic opera that brought him his first great success to the Parisian audience. Worried, and hesitant about this first representation of the " Huron", the composer cannot resign himself to entering the room: " I was posted at the corner of rue Mauconseil (where the Italian Comedie was located). The, my eyes fixed themselves on the cars and seemed to attract spectators and seek their indulgence." engraving in " Popular Music" illustrious weekly newspaper - 1881 by Unknown Artist, (19th century); Private Collection; (add.info.: Andre Ernest Modeste (Andre-Ernest-Modeste) Gretry (1741-1813), a French composer and friend of Voltaire, on the day of the first performance of the " Huron", a comic opera that brought him his first great success to the Parisian audience. Worried, and hesitant about this first representation of the " Huron", the composer cannot resign himself to entering the room: " I was posted at the corner of rue Mauconseil (where the Italian Comedie was located). The, my eyes fixed themselves on the cars and seemed to attract spectators and seek their indulgence." engraving in " Popular Music" illustrious weekly newspaper - 1881); Stefano Bianchetti; out of copyright
Media ID 22297012
© Stefano Bianchetti / Bridgeman Images
Opera Comic A Journal Coupling Street View
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EDITORS COMMENTS
This print captures Andre Ernest Modeste Gretry, a renowned French composer and close friend of Voltaire, on the day of the first performance of his comic opera "Huron". The opera marked a turning point in Gretry's career as it brought him his first major success with the Parisian audience. In this moment frozen in time, we witness Gretry's inner turmoil and apprehension before entering the room where his masterpiece would be showcased. Standing at the corner of rue Mauconseil, near the location of the Italian Comedie theater, Gretry cannot bring himself to enter. His eyes are fixed on passing carriages that seem to attract spectators and seek their indulgence. Worried about how his creation will be received by this discerning audience, he hesitates, unable to find solace or reassurance. The engraving featured here is from an illustrious weekly newspaper called "Popular Music" dating back to 1881. It provides us with a glimpse into this pivotal moment in Gretry's life and career. Stefano Bianchetti has skillfully captured not only the physical appearance but also the emotional state of this influential composer. As we admire this remarkable piece of artistry, we can't help but imagine ourselves standing alongside Gretry at that very corner, sharing in his anxiety and anticipation for what lies ahead.
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