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Love bringing Alcestis back from the Grave, 1863 (watercolour, bodycolour

Love bringing Alcestis back from the Grave, 1863 (watercolour, bodycolour


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Love bringing Alcestis back from the Grave, 1863 (watercolour, bodycolour

1218065 Love bringing Alcestis back from the Grave, 1863 (watercolour, bodycolour, black and coloured chalks on paper) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Media ID 22966878

© Ashmolean Museum / Bridgeman Images

Alcestis Amor Drapery Eros Grave Reviving Risen Rising Westernart Pre Raphaelite


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EDITORS COMMENTS
This print showcases Edward Coley Burne-Jones' masterpiece, "Love bringing Alcestis back from the Grave". Created in 1863, this watercolour and bodycolour composition on paper is a testament to the artist's exceptional talent. Housed at the Ashmolean Museum in Oxford, UK, this artwork beautifully captures a moment of mythological resurrection. In this scene, Love himself takes center stage as he delicately revives Alcestis from her grave. The female figure rises gracefully from death's clutches, draped in ethereal fabric that adds an air of mystique to the composition. Burne-Jones' meticulous attention to detail is evident in every stroke of black and coloured chalks used to bring life to his subjects. The painting exudes a sense of profound emotion and explores themes such as love, sacrifice, and mortality. Drawing inspiration from classical mythology, Burne-Jones masterfully depicts Alcestis' journey back into existence with Love guiding her way. As part of the Pre-Raphaelite movement that sought to revive artistic techniques reminiscent of early Renaissance artistry, Burne-Jones creates a visual narrative that captivates viewers with its beauty and symbolism. This study drawing serves as a testament to his skillful draftsmanship and ability to breathe life into ancient myths. With its rich hues and intricate details, this mythological masterpiece continues to inspire awe among art enthusiasts worldwide. It stands as a reminder that even in death's embrace, love has the

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