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Self Portrait, 1918 (oil on canvas laid down on board)
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Self Portrait, 1918 (oil on canvas laid down on board)
822908 Self Portrait, 1918 (oil on canvas laid down on board) by Ufer, Walter (1876-1936); 31.5x27.3 cm; Private Collection; (add.info.: Self Portrait. Walter Ufer (1876-1936). Oil on canvas laid down on board. Signed and dated 1918. 31.5 x 27.3cm.); Photo eChristies Images; American, out of copyright
Media ID 23671440
© Christie's Images / Bridgeman Images
1918 Accessories American Artist American Painting Artist American Auto Portrait Autoportrait Board Bowler Bowler Hat Bust Length Cigarette Distinguished Dressed Up Eyeglasses Formal Formal Attire Formal Dress Glasses Laid Down Mounted On Board Natural Phenomena On Board One Man Only Personal Accessory Quarter Length Self Portrait Smart Smoking Requisite Spectacles Ufer Walter Ufer Accessory Ethnic Origin Headwear Portrait Style Portraiture
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EDITORS COMMENTS
This self-portrait by Walter Ufer, created in 1918, showcases the artist's exceptional talent and introspective nature. Painted with oil on canvas laid down on board, this piece measures 31.5 x 27.3 cm and is currently held in a private collection. Ufer's self-portrait captures him in a quarter-length pose, dressed impeccably in formal attire complete with a distinguished bowler hat. The artist gazes directly at the viewer through his spectacles, exuding an air of confidence and intellect. The composition highlights Ufer's mastery of portraiture as he skillfully renders his facial features and captures subtle nuances of expression. The use of oil paints adds depth and texture to the artwork, enhancing its overall impact. Noteworthy is the inclusion of a cigarette held delicately between Ufer's fingers, emitting wisps of smoke that add an element of mystery to the scene. This smoking requisite further emphasizes the artist's contemplative nature and perhaps alludes to the time period when smoking was more prevalent. Overall, this self-portrait offers viewers a glimpse into Ufer's world during early twentieth-century America. It serves as both a testament to his artistic prowess and an intimate reflection on his own identity as an American painter.
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