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The Pontiac chief of Ottawa tribe lays siege to Fort Detroit in the spring of 1763

The Pontiac chief of Ottawa tribe lays siege to Fort Detroit in the spring of 1763


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The Pontiac chief of Ottawa tribe lays siege to Fort Detroit in the spring of 1763

PNP367772 The Pontiac chief of Ottawa tribe lays siege to Fort Detroit in the spring of 1763, after an illustration by Frederic Remington (litho) by American School; Private Collection; Peter Newark American Pictures; American, out of copyright

Media ID 22379790

© Peter Newark American Pictures / Bridgeman Images

Colonial America Native American Indians Preparation


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> North America > Canada > Ottawa


EDITORS COMMENTS
This print captures a pivotal moment in history as the Pontiac chief of the Ottawa tribe lays siege to Fort Detroit in the spring of 1763. The image, based on an illustration by Frederic Remington, showcases the intensity and determination of both sides involved. The scene depicts a powerful Native American leader leading his warriors against the imposing fortress that represents colonial America. With their faces painted for war and armed with bows and arrows, they stand ready for battle. The fort's walls loom large behind them, symbolizing the strength and resilience of European settlers. The photograph transports us back to a time when tensions between Native American tribes and European colonizers were at their peak. It serves as a reminder of the complex relationship between these two cultures - one fighting to protect their ancestral lands while another sought expansion. In this image, we witness not only an attack but also preparation and retaliation. It is a visual representation of resistance against encroachment on indigenous territories. As we gaze upon this historic moment frozen in time, it prompts reflection on America's past struggles for power, land rights, and cultural preservation. This remarkable print from Fine Art Finder allows us to delve into North America's rich history while appreciating its artistic value through Frederic Remington's lithographic interpretation.

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