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The Disrobing of Christ. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)
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The Disrobing of Christ. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)
LRI4613196 The Disrobing of Christ. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; (add.info.: History of the life of Christ: Christ stripped of his clothes - We can see the acronym S.P.Q.R (SPQ or SPQR: Senatus Populusque Romanus (meaning " the senat and the Roman people) representing the Roman political power of antiquite - The aureole of Christ is marked with a cross - Painting from the Cabinet of Sacred Vases or the Cabinet of Ex-Voices of the Church Santissima Annunziata (Armadio degli Argenti: life of christ, The Disrobing of Christ) Tempera on wood by Guido di Pietro (or Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455) and his pupils, 1450-1453 - Musee du Convent de San Marco, Florence (Museo di San Marco, Firenze) -); Luisa Ricciarini
Media ID 25898360
© Luisa Ricciarini / Bridgeman Images
Cruelty Disgrace Humiliation Lance Passion Roman Soldier Scorpion Senat 15th 15 Xv Xvth Fifteenth Century Antique Rome Aureole Bible Story Biblical Events Biblical Scene Defensive Weapon Early Xv Century Infantry Weapon Late Xv Century Quattrocento
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EDITORS COMMENTS
This print showcases "The Disrobing of Christ" a remarkable piece of art from the Life of Christ series by Fra Angelico. Created between 1451 and 1453, this tempera on wood painting is housed in the Museo di San Marco in Florence, Italy. In this scene, we witness the moment when Jesus Christ is stripped of his clothes before his crucifixion. The artist skillfully depicts the cruelty and humiliation inflicted upon him by Roman soldiers. Notably, the acronym S. P. Q. R. , representing the power of ancient Rome's Senate and people, can be seen in the background. The aureole surrounding Christ's head bears a cross symbolizing his divine nature amidst this human disgrace. This particular artwork originates from the Cabinet of Sacred Vases or Ex-Voices of Santissima Annunziata Church (Armadio degli Argenti), highlighting its significance within religious contexts. Guido di Pietro, also known as Fra Giovanni da Fiesole or Fra Angelico il Beato, created this masterpiece along with his pupils during the Quattrocento period. The attention to detail and emotional depth displayed here exemplify Renaissance art at its finest. Luisa Ricciarini beautifully captures every intricate aspect of this painting through her lens. Her photograph allows us to appreciate not only the artistic brilliance but also invites contemplation on themes such as passion, religion, and historical symbolism associated with biblical events. Overall, this image serves as a testament to both artistic mastery and spiritual reflection that continues to captivate viewers centuries after its creation.
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