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Studies of the head and left hand of a putto (red chalk on paper)
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Studies of the head and left hand of a putto (red chalk on paper)
CTS366763 Studies of the head and left hand of a putto (red chalk on paper) by Maratti, Carlo (1625-1713); 27.5x41.6 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright
Media ID 23247262
© Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images
Cherubim Putti Cherub Cherubs Childlike
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EDITORS COMMENTS
This print showcases the delicate and intricate details of Carlo Maratti's "Studies of the head and left hand of a putto". Created in the 17th century, this red chalk drawing on paper exudes an air of childlike innocence and charm. The profile sketch beautifully captures the essence of a cherubic figure, commonly known as a putto. Maratti's mastery is evident in every stroke, as he expertly portrays the softness and purity associated with these celestial beings. The artist's attention to detail is remarkable, from the intricate curls adorning the putto's head to the graceful positioning of its left hand. Displayed against a neutral background, this study emanates elegance and grace. It offers viewers a glimpse into both Maratti's artistic genius and his fascination with capturing ethereal beauty. The piece transports us back to an era when cherubs were revered symbols representing love, joy, and divine intervention. Measuring 27.5x41.6 cm, this reproduction from Chatsworth Settlement Trustees allows art enthusiasts worldwide to appreciate Maratti's work without limitations imposed by time or distance. As we gaze upon this exquisite image, we are reminded that great art transcends centuries and continues to inspire awe in contemporary audiences. Bridgeman Images has skillfully preserved this treasure from history for our enjoyment today—a testament to their commitment to sharing exceptional works like Maratti’s "Studies of the head and left hand of a putto" with art lovers around the globe.
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