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Lamentation of Christ, Altarpiece of the Guild of the Joiners, centre panel (oil on panel)
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Lamentation of Christ, Altarpiece of the Guild of the Joiners, centre panel (oil on panel)
471097 Lamentation of Christ, Altarpiece of the Guild of the Joiners, centre panel (oil on panel) by Massys or Matsys, Quentin (c.1466-1530); Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: In 1503, the Antwerp carpenters guild commissioned Quinten Metsijs to paint an altarpiece. In addition to the Lamentation of Christ on the central panel, it was to feature the patron saints of the guild - John the Evangelist and John the Baptist - on the side panels. ); © Art in Flanders
Media ID 28434952
© Art in Flanders / Bridgeman Images
Crosses Crucifix Deposition Entombment Golgotha Joseph Of Arimathaea Lamentation Mourners Wing Mourning
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EDITORS COMMENTS
This print showcases the "Lamentation of Christ, Altarpiece of the Guild of the Joiners" by Quentin Massys or Matsys. Painted in oil on panel, this masterpiece is housed in the Koninklijk Museum voor Schone Kunsten in Antwerp, Belgium. Commissioned by the Antwerp carpenters guild in 1503, Quinten Metsijs was tasked with creating an altarpiece that would depict not only the central scene of Christ's Lamentation but also include side panels featuring John the Evangelist and John the Baptist, who were patron saints of the guild. In this centre panel, we witness a deeply moving depiction of grief and mourning. The lifeless body of Jesus Christ lies upon a cross as his loved ones surround him with sorrowful expressions. The Virgin Mary and Mary Magdalene are prominently featured among other mourners who gather to pay their respects. The artist skillfully captures every detail - from the intricate folds in their garments to their pained facial expressions - evoking a profound sense of loss and despair. This painting serves as a powerful reminder of Christ's sacrifice and its impact on those closest to him. With its religious symbolism and emotional intensity, this artwork continues to resonate with viewers today. It stands as a testament to Massys' talent for capturing human emotion through brushstrokes while honoring Christian beliefs.
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