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An emissary of Pope Adrian I pleading with Charlemagne to defend Rome against the Lombard king Desiderio, miniature from Ogier le Danois, printed by A. Verard, Paris, 1499 (hand-coloured print)
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An emissary of Pope Adrian I pleading with Charlemagne to defend Rome against the Lombard king Desiderio, miniature from Ogier le Danois, printed by A. Verard, Paris, 1499 (hand-coloured print)
IND325870 An emissary of Pope Adrian I pleading with Charlemagne to defend Rome against the Lombard king Desiderio, miniature from Ogier le Danois, printed by A. Verard, Paris, 1499 (hand-coloured print) by French School, (15th century); Biblioteca Nazionale, Turin, Italy; (add.info.: Charlemagne (742-814) was King of the Franks and from 800 Holy Roman Emperor; ); Index Fototeca
Media ID 25897460
© Index Fototeca / Bridgeman Images
Begging Diplomacy Early Printing Incunable Incunabulum Kneeled Down Imam Monarch Religious Orders Religious Role
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EDITORS COMMENTS
This hand-coloured print from 1499 depicts a significant historical moment: an emissary of Pope Adrian I pleading with Charlemagne to defend Rome against the Lombard king Desiderio. The scene is taken from Ogier le Danois, a popular medieval romance, and was printed by A. Verard in Paris. In this miniature artwork, we see the emissary kneeling before Charlemagne, emphasizing his humble plea for aid. The pope's representative wears clerical robes, symbolizing the power and influence of the Church during this period. Charlemagne, known as King of the Franks and Holy Roman Emperor, sits regally on his throne wearing a crown—a visual representation of his authority. The image captures both political and religious themes prevalent at that time. It showcases diplomacy between secular rulers and religious figures while highlighting their interdependence in protecting Rome from external threats. The fine details achieved through hand-colouring add depth to this early printing technique called incunable or incunabulum—an exciting glimpse into the history of book production. Overall, this print serves as a testament to the intricate relationship between church and state during medieval times—a delicate balance maintained through diplomacy and cooperation for mutual benefit.
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