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The Banks of the Irrawaddy, Burma, 1886 (w / c with pen & ink on paper)

The Banks of the Irrawaddy, Burma, 1886 (w  /  c with pen & ink on paper)


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The Banks of the Irrawaddy, Burma, 1886 (w / c with pen & ink on paper)

NAM310762 The Banks of the Irrawaddy, Burma, 1886 (w/c with pen & ink on paper) by English School, (19th century); National Army Museum, London; (add.info.: from an album of seventy-five photographs and sketches compiled (1886-88) by Lord Henry Rawlinson; associated with the 3rd Burma War (1885-87); Third Anglo-Burmese War; ); eNational Army Museum; English, out of copyright

Media ID 23383734

© National Army Museum / Bridgeman Images

Annotated Annotations Anthropology British Empire British India Burmese Landscape Geographical Hills Imperial History Imperialism Jungle Myanmar Pagoda Studies Villages Natives


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> Arts > Art Movements > Landscapes

> Arts > Landscape paintings > Landscape art

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> Fine Art Finder > Artists > Felice (1825-c.1908) Beato

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EDITORS COMMENTS
This print titled "The Banks of the Irrawaddy, Burma, 1886" takes us back in time to the colonial era. Created by an English School artist in the 19th century, this artwork showcases a picturesque scene along the famous Irrawaddy River. The medium used is watercolor with pen and ink on paper, adding depth and detail to every stroke. Part of an album compiled by Lord Henry Rawlinson between 1886 and 1888, this particular piece is associated with the Third Anglo-Burmese War (1885-87). It offers a unique glimpse into British imperialism during that period. The annotations present within the artwork provide valuable insights into both geographical features and anthropological studies of native Burmese villages. As we explore this image further, we are drawn to the lush jungle surrounding the riverbank and hills in the distance. A tugboat gracefully glides across the water while traditional Burmese boats dotting its surface add authenticity to this colonial perspective. In one corner stands a pagoda, symbolizing Myanmar's rich cultural heritage. Through this painting, we can appreciate not only its aesthetic beauty but also its historical significance as it documents a chapter of imperial history under British India's rule. This artwork serves as a reminder of how art can be used to study geography, anthropology, and even transport history across generations.

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