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Roman charioteer, c. 2nd-3rd century AD (mosaic)

Roman charioteer, c. 2nd-3rd century AD (mosaic)


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Roman charioteer, c. 2nd-3rd century AD (mosaic)

3857327 Roman charioteer, c.2nd-3rd century AD (mosaic) by Roman; Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; Photo © Derek Bayes. All rights reserved 2022

Media ID 22758808

© Derek Bayes. All rights reserved 2022 / Bridgeman Images

2 2nd 2nd 2nd Ii Iird Century 2 2nd Ii Iind Century 2 Century 2nd Century 2nd Century Ad Ancient History Auriga C2nd Charioteer Circus Classical Civilization Elaborate Floor Handler Horseriding Ii Century Iind Century Lash Mosaic Second Century Tiles Whip Shire Horse Stallions


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> Animals > Farm > Horses > Shire Horse

> Animals > Farm > Related Images

> Animals > Mammals > Horse > Shire

> Arts > Artists > Related Images

> Europe > Italy > Lazio > Related Images

> Europe > Italy > Lazio > Rome

> Fine Art Finder > Artists > Etruscan

> Fine Art Finder > Artists > Roman

> Historic > Ancient civilizations


EDITORS COMMENTS
This print showcases a remarkable mosaic of a Roman charioteer, dating back to the 2nd-3rd century AD. The intricate floor tiles display an elaborate and ornate design, reflecting the exquisite craftsmanship of ancient Rome. In this stunning artwork, we see a skilled horseman known as an auriga, dressed in a jacket and holding a whip. He exudes confidence and control as he prepares for the exhilarating sport of chariot racing. The mosaic captures the essence of ancient history and classical civilization, transporting us back to a time when such events were highly regarded. The charioteer's helmet adds to his commanding presence while providing protection during intense races. This full-length depiction emphasizes his connection with farm animals, particularly horses. Several magnificent creatures are depicted in this mosaic – racehorses, ponies, shire horses, and stallions – all representing different aspects of livestock utilized in these thrilling competitions. The level of detail in this artwork is truly astonishing; every animal is meticulously decorated and ornamental. It serves as both decoration and homage to Italy's rich equestrian heritage. As we admire this masterpiece captured by Derek Bayes' lens at Palazzo Massimo alle Terme & Museum in Rome, we are reminded not only of the skillful artistry but also of the enduring legacy left behind by ancient Romans who celebrated sportsmanship through their love for horseriding and transport.

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