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Wood-gatherer, The Queens harpist, Coachman, Trumpeter (engraving)
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Wood-gatherer, The Queens harpist, Coachman, Trumpeter (engraving)
6010596 Wood-gatherer, The Queens harpist, Coachman, Trumpeter (engraving) by English School, (19th century); Private Collection; (add.info.: Wood-gatherer, The Queens harpist, Coachman, Trumpeter. Illustration for The Infants Magazine (1878).); © Look and Learn
Media ID 23283768
© Look and Learn / Bridgeman Images
Coachman Fire Woods Firewood Firwood Gatherer Harpist Kindling The Queen Timber Trumpeter
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EDITORS COMMENTS
This engraving, titled "Wood-gatherer, The Queens harpist, Coachman, Trumpeter" is a delightful snapshot of 19th-century English life. With its intricate details and rich historical significance, this print offers a glimpse into the material culture and social hierarchy of the time. The image showcases four distinct figures: the wood-gatherer, the Queen's harpist, coachman, and trumpeter. Each character represents a different aspect of society - from those who toil in manual labor to those who entertain royalty. It beautifully encapsulates the diversity and interconnectedness of individuals within a larger community. The wood-gatherer stands prominently at the center of attention with his load of firwood on his back. His presence symbolizes hard work and resourcefulness as he collects firewood for warmth during colder months. Meanwhile, beside him stands the Queen's harpist elegantly playing his instrument - an embodiment of artistry and refinement. On one side we see the coachman skillfully handling reins while seated atop an ornate carriage. This figure embodies transportation and mobility in an era where horse-drawn carriages were prevalent means of travel. Lastly, positioned next to him is a trumpeter announcing important events or perhaps even royal proclamations with his majestic instrument. Together these characters create a harmonious composition that reflects both societal roles and individual talents within Victorian England. This engraving originally appeared as an illustration in The Infants Magazine in 1878 but has
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