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Sutteeism on the banks of the Ganges - preparing for the immolation of a Hindu widow (engraving)
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Sutteeism on the banks of the Ganges - preparing for the immolation of a Hindu widow (engraving)
3626666 Sutteeism on the banks of the Ganges - preparing for the immolation of a Hindu widow (engraving) by English School, (19th century); Private Collection; (add.info.: Sutteeism on the banks of the Ganges - preparing for the immolation of a Hindu widow. Illustration from The History of the Indian Mutiny by Charles Ball (The London Publishing and Printing Company Limited, London and New York, c1858).); © Look and Learn
Media ID 23122694
© Look and Learn / Bridgeman Images
British Empire East India Company First War Of Indian Independence Ganges Ghats Hindu Immolation Indian Mutiny Rebellion Steps Suttee Uprising Inida
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EDITORS COMMENTS
This powerful engraving titled "Sutteeism on the banks of the Ganges - preparing for the immolation of a Hindu widow" captures a haunting scene from 19th century India. The image depicts a solemn moment in which preparations are being made for the immolation of a Hindu widow, as part of the ancient practice known as Suttee. The composition showcases a window overlooking an expansive river, with steps leading down to its edge. In this tragic setting, we witness the British Empire's presence through their colonial rule during this period. The print is taken from Charles Ball's book "The History of the Indian Mutiny" shedding light on one aspect of British-Indian history. Amidst this backdrop, we see elements that symbolize tradition and religious significance such as temples and ghats along the riverbank. This visual narrative delves into themes of rebellion, religion, and cultural clashes between East India Company forces and Indians during what would later be known as the First War of Indian Independence. The image serves as both historical documentation and commentary on Victorian-era attitudes towards imperialism and indigenous customs. It invites contemplation about power dynamics within colonial societies while highlighting aspects of Indian culture that were suppressed or misunderstood by foreign rulers. As viewers engage with this evocative artwork, they are confronted with questions about human rights, cultural preservation, and societal progress. It stands as a poignant reminder of past struggles while urging us to reflect upon our present-day values regarding diversity and tolerance in an ever-changing world
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