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The Smugglers, 1858 (pen & black ink, on cream wove paper, laid down on ivory wove paper)
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The Smugglers, 1858 (pen & black ink, on cream wove paper, laid down on ivory wove paper)
2968280 The Smugglers, 1858 (pen & black ink, on cream wove paper, laid down on ivory wove paper) by Bresdin, Rodolphe (1822-85); 13.9x22.2 cm; The Art Institute of Chicago, IL, USA; Print and Drawing Club Fund; French, out of copyright
Media ID 22797046
© Print and Drawing Club Fund / Bridgeman Images
Rocks Rocky Smuggler Smugglers Smuggling
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The Smugglers, 1858
EDITORS COMMENTS
is a captivating pen and black ink drawing by Rodolphe Bresdin that transports us to a rugged landscape filled with intrigue. This small yet powerful artwork, measuring 13.9x22.2 cm, showcases the artist's exceptional skill in capturing both the beauty and danger of the scene. In this detailed composition, Bresdin masterfully depicts a group of soldiers amidst rocky terrain as they confront a band of smugglers. The tension between these two groups is palpable, as each figure exudes determination and intensity. The artist's use of black ink creates stark contrasts against the cream wove paper background, enhancing the drama unfolding before our eyes. The rocky landscape serves as an atmospheric backdrop for this clandestine encounter. Its jagged edges mirror the perilous nature of smuggling activities while also adding depth and texture to the composition. Bresdin's meticulous attention to detail brings every element to life - from the soldiers' uniforms to their expressions etched with resolve. This print, part of The Art Institute of Chicago's collection, offers viewers a glimpse into Bresdin's artistic prowess during his prime years in France. It reminds us not only of his technical brilliance but also his ability to tell stories through visual narratives. "The Smugglers" invites us on an immersive journey where we can almost hear whispers carried by wind and feel adrenaline coursing through our veins. It is an evocative testament to Bresdin's talent as well as
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