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Portrait of Emma Hart as a Sybil (oil on canvas)
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Portrait of Emma Hart as a Sybil (oil on canvas)
OJ451935 Portrait of Emma Hart as a Sybil (oil on canvas) by Vigee-Lebrun, Elisabeth Louise (1755-1842); 137.2 x 98.4 cm; Private Collection; (add.info.: Emma Hart (1765-1815); later Lady Hamilton, mistress of Lord Nelson; possibly commissioned by the Duc de Brissac, Paris in 1791; ); eAckermann Johnson; French, out of copyright
Media ID 22910532
© Ackermann Johnson / Bridgeman Images
Arrow Arrows Cupid Emma Hart Eros Garland Hamilton Prophetess Sibyl Society Beauty Sybil Vigee Le Brun Vigee Lebrun
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EDITORS COMMENTS
The captivating portrait of Emma Hart as a Sybil, painted by Elisabeth Louise Vigee-Lebrun, is a stunning display of beauty and mythological symbolism. This oil on canvas masterpiece measures 137.2 x 98.4 cm and currently resides in a private collection. Emma Hart, later known as Lady Hamilton and famously the mistress of Lord Nelson, poses with grace and elegance in this classical portrayal. Dressed in flowing robes adorned with flowers, she stands confidently against an ancient backdrop. The artist skillfully captures her allure as she gazes into the distance with an air of mystique. Symbolism abounds within this artwork; Cupid's arrow rests gently upon Emma's lap, representing love's power to conquer all. A garland encircles her head, signifying her status as a prophetess or oracle from Greek mythology - perhaps foretelling the future of her own tumultuous life. Vigee-Lebrun expertly combines elements of nudity and classical aesthetics to create a timeless image that celebrates both femininity and strength. The three-quarter length composition showcases Emma's natural beauty while also highlighting her role as a sibyl - an ancient female figure believed to possess prophetic powers. This painting serves not only as a tribute to Emma Hart but also reflects the societal fascination with mythological themes during its creation in 1791 Paris. It remains an enduring testament to Vigee-Lebrun's talent for capturing both physical likeness and inner essence through brushstrokes alone.
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