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Joan of Arc is examined in her private parts to prove her virginity, the second canto from the opera La Pucelle d'Orleans, c. 1755/1762 (engraving)
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Joan of Arc is examined in her private parts to prove her virginity, the second canto from the opera La Pucelle d'Orleans, c. 1755/1762 (engraving)
FGL5494359 Joan of Arc is examined in her private parts to prove her virginity, the second canto from the opera La Pucelle d'Orleans, c.1755/1762 (engraving) by French School, (18th century); (add.info.: SECOND SONG - LA PUCELLE D'ORLEANS - VOLTAIRE
Joan of Arc is examined in her private parts to prove her virginity: rare requisite in France but necessary for carrying out the sacred mission of saving the nation. The second canto from the opera La Pucelle d'Orleans heroic-comic poem in twenty-one songs, irreverent, irreverent against the patriotic / religious cult of Joan of Arc. It obviously caused scandals and controversies, and was soon censored. Its publication then continued clandestinely abroad and anonymously. Engraving, 1755 (or 1762?)
VOLTAIRE (Francois-Marie Arouet, 1694-1778)); Fototeca Gilardi
Media ID 28650815
© Fototeca Gilardi / Bridgeman Images
Erotic Eroticism Erotism Jeanne Darc Joan Darc Joan Of Arc Joan Of Arc 1412 1431 Maid Of Lorraine Pucelle Sensual Sensuality The Maid Of Lorraine The Maid Of Orleans Virginity Voltaire 1694 1778 15th 15 Xv Xvth Fifteenth Century Semi Nude
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EDITORS COMMENTS
The engraving titled "Joan of Arc is examined in her private parts to prove her virginity, the second canto from the opera La Pucelle d'Orleans" captures a controversial scene from Voltaire's heroic-comic poem. In this image, we see Joan of Arc being subjected to an invasive examination in order to verify her purity and suitability for her sacred mission. The opera itself was a satirical critique of the patriotic and religious cult surrounding Joan of Arc. It challenged societal norms by irreverently portraying this revered historical figure in a scandalous light. The depiction caused widespread controversy and led to its eventual censorship. Despite its initial suppression, the publication continued clandestinely abroad and anonymously due to its subversive nature. This engraving, created in 1755 or possibly 1762, serves as a visual representation of the provocative themes explored within the opera. Voltaire, known for his sharp wit and critical thinking, authored this work under his pseudonym François-Marie Arouet. His intention was not only to challenge conventional beliefs but also to highlight hypocrisy within society. This print showcases both artistic skill and political commentary prevalent during the 18th century. Its inclusion in Fine Art Finder's collection allows viewers to engage with historical controversies while appreciating the craftsmanship behind it.
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